In Sara, Mencken, Christ And Beethoven There Were Men And Women Part Two


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9 thoughts on “ In Sara, Mencken, Christ And Beethoven There Were Men And Women Part Two ”

  1. Sometime in the summer of , I had stumbled onto his book, In Sara, Mencken, Christ and Beethoven There Were Men and Women. I am given to scratching around in second-hand book stores. My brothers had recently started a used car lot in Danville, Illinois, and a crony of theirs ran a second-hand book store. Naturally, I scratched around in it.
  2. In Sara, Mencken, Christ, and Beethoven There Were Men and Women. John Barton Wolgamot, text Paul DeMarinis, electronics design Robert Ashley, voice. Notes to the setting for voice, Moog Synthesizer and control electronics by Robert Ashley and Paul DeMarinis, January,
  3. 9 rows · Nov 27,  · referencing In Sara, Mencken, Christ And Beethoven There Were Men /5(55).
  4. John Barton Wolgamot (born circa ? - died sometime during or after ) was an American outsider poet who is primarily remembered for his experimental book-length poem In Sara, Mencken, Christ and Beethoven There Were Men and Women. ().
  5. **Complex, pre-computer avant-garde composition. Challenging, arrhythmic and involving clicks, pulses and twangs scored for a electronic orchestra, recorded at the Center for Contemporary Music, Oakland, California, , and another incredible two-part composition using the labyrinthine reverbs created by a motorcycle in tunnels beneath the hills of San Francisco. 63 minutes total** "'String.
  6. Jan 27,  · A few years prior, the composer had released the In Sara, Mencken, Christ and Beethoven There Were Men and Women, in which his speech is modulated and sliced up to dizzying effect, but on Private.
  7. Tortoise's long-standing interest in electronic and computer music is revealed during the unbroken suite of tracks beginning with "In Sarah, Mencken, Christ, and Beethoven There Were Women And Men," and ending with "Jetty." Yet TNT remains very much a record produced by a group of musicians who enjoy presenting their material in a live context.
  8. Robert Ashley / In Sara, Mencken, Christ And Beethoven There Were Men And Women (excerpt) Beth Anderson / Torero Piece (excerpt) Brion Gysin / Come To Free The Words () Liam O'Gallagher / Border Disolve In Audiospace () Aram Saroyan / Crickets ().
  9. release. "String Quartet Describing the Motions of Large Real Bodies" was composed as the potential orchestra for an opera-based on the text of In Sara, Mencken, Christ and Beethoven There Were Men And Women." When the work was composed in , it was clear that a huge change in electronic instrumentation was just beginning, a change that would involve computers and sound .

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